Tuesday, 30 October 2012

An Insight To The Indie Labels


The rise of the independent record labels has become a commonly accepted phenomenon in the music industry. With major labels struggling and one declaring bankruptcy over the last two years (EMI having gone as much as $5 billion in debt at one point) it seems like it may be only a matter of time before indie labels become the biggest force in the industry.

For the most part, the big record labels today have been around since the start of the modern music industry; The Beatles were on EMI, Led Zeppelin signed to a branch of Warner Records and Jimi Hendrix released music through Capitol. While independent labels have been around for a long time themselves, it is only in recent years that they’ve been able to match the big labels in signing power. It’s perfectly normal now for major artists like Adele and Radiohead to be signed to independent labels and still manage to be world renowned names. This is due mainly in the large amount to technological improvements that have been made, specifically those improving distribution, over the past decade or two. People no longer need to start with an enormous basis of wealth and launch an album in purely physical form around the world.

With online sales and streaming having become a mainstay in the industry, the big labels have lost more than just their financial edge in the industry. Major artists such as Thom Yorke and Björk have been quoted as saying they see the big labels’ new found desperation for profits in the face of the rising indie labels to restrict the amount of creative freedom big labels are willing to give their artists, providing further incentive for many artists to turn to independent labels.

Despite this, it will still be a while until we see an indie label rise to the point where they can match a major in resources. Statistically speaking, all current independent labels grouped together make up about 25.2% (up from 23.2% the previous year) of the industry right now, though 32.6% of music that was published in 2011 was published by indie labels. Universal Music, in contrast, is the major label with the biggest share in recorded music, owning 27.9%, though their share has been dropping yearly by around 2%, as has nearly every other major label with Warner Music being the only big label not to lose ground last year.

For quite possibly the first time, the fundamentals of the music industry are changing. New labels are rising with major artists signings while distribution is becoming cheaper and easier. Independent labels look to be the way forward as we see them become what may well be the future of the record industry.

The 1975 Premier New Song 'You'


Manchester based The 1975 released their new song off their Sex EP called 'You'.

Following their debut EP, 'Facedown', Sex is a collection of songs in which one can already see the potential of The 1975. These guys are all under 22 years old, and already they have a talent for producing airy guitars over hollow and heavy drums. Although they are a small band, the songs will definitely fill big arenas.

'You' is a song about how people should "Stop talking shit and grow up." as lead singer Matt Healy says. Ex- girlfriends of his and his friends slowly devour his social group, he sings "You must try harder in kissing all of my friends, you. Yeah it takes a bit more". Matt also gives some suggestions about how, when you are with a boy or a girl, this song can help you. "Maybe you'll put off saying, 'I love you,' at least another day."

Listen to the song here:

The 1975 - You

Friday, 26 October 2012

Rumour Has It Bon Jovi Is Coming To South Africa



Big Concerts is set to announce a special band coming to South Africa next year.

They said on Facebook "Stand back for another massive stadium tour....The Best just got a whole lot Bigger. We’ll confirm the rumours on Monday morning....."

We think it's Bon Jovi.... well; it is Bon Jovi- their lyrics are in that status.

 Announcing a new tour on their official site they said, "Blazing a trail across the globe, the tour will kick off in North America in February, just in time for Valentine’s Day, and travel throughout Europe, the Far East, Africa, Latin America and Australia. The band’s return to the road in 2013 will cap an incredible run which has secured Bon Jovi’s status as the essential live rock band."


They have been to South Africa before in 1996.... jeez, and will maybe come again to not- so- grace our ears.

Here's a video of Bon Jovi





Thursday, 25 October 2012

Song Of The Week

For this weeks Song of the Week I chose Icelandic folk group Of Monsters and Men with their song "Little Talks". 

I chose this song not only because it's the most amazing song on Earth, but also because of the music video. The video has won many awards, including the Stuttgart International Festival for Animated Film and has been nominated for the 2012 MTV Music Video Awards for Best Art- Direction.

But enough of that. The directors of the video basically filmed only the heads of the band members, and then attached them to animated bodies, which is why their limbs look so all over the place. The make up for the guys was "Papua New Guinean" inspired and looks sort of tribal and aquatic. For the beautiful Nanna (lead singer) they used custom wigs, coloured feathers,vintage jewellery and seaweed (among other things) to create her amazing goddess- like look.

The album, My Head Is An Animal, has a very prominent theme of some kind of fantasy world filled with wolves, dragon flies, vast seas, sensitive suns and wild forests. It has a very natural and earthy feel, this might explain why children really love their songs- they have a very playful streak in their music.

This song, Little Talks, is an upbeat folk track with loud catchy horns and intense drums. A duet between a man (Ragnar "Raggi" Þórhallsson) and a woman (Nanna Bryndís Hilmarsdóttir) are common is their songs, but this song really brings out how well their voices fit together.

Watch and listen right here


Rodriguez Returns To South Africa in 2013


The legendary Sixto Rodriguez has scheduled five shows in Joburg and Cape Town in February 2013.

The Detroit folk musician has been to South Africa many times in the past, as it is said that his rise to fame took place right here in South Africa. Mainly because he sings about the working class and freedom for all which was popular during apartheid.

 Rodriguez is a musical genius and we are honoured to welcome him back to South Africa again.

Date are:

15th, 16th and 18th February- Big Top Arena, Carnival City JHB
20th and 21st February- Grand Arena, Grand West CPT.

Get Tickets Here



Wednesday, 24 October 2012

New Music Video: The Gaslight Anthem- Here Comes My Man

No, not that Here Comes My Man. But it sounds a lot like it in the beginning.

This is the new single off New Jersey grown Gaslight Anthem's fourth and newest album, Handwritten. These guys have been compared to Bruce Springsteen a million times, even playing a couple of shows with the legend himself. Their new album is true to their influences, and does not stray far from typical awesome Gaslight Anthem.

This single certainly has that classical Gaslight rock feel- charming and rugged at the same time. It stars Elisha Cuthbert, who is in a terrible relationship with her man and just wants things to be normal again...

Watch the video here


Supporting Acts For The Drums Announced


The Drums are an indie band from Brooklyn, USA who are coming to South Africa (Joburg and Cape Town) in November for the third part of the addidas All Originals Live Performances.

Supporting acts will be Black Handed Kites, The Future Primitives and of course Desmond & the Tutus... obviously. Because We- Are- Awesome (the sponsors of the event) are friends/ girlfriends of Desmond & the Tutus and they keep getting these kinds of gigs because of favouritism...Either way, that's no surprise and we have to once again sit through "Where are his freakin' pants gone, oh they're behind his ears".... Their new album is shit. But such is the SA music industry.

But, back to the story.

The Joburg show is on the 16th of November and Cape Town on the 17th. You can get tickets at Webtickets... yay addidas Originals just got free promotion.



Tuesday, 23 October 2012

Iron Man 3 Trailer


Yoooh! I'm so excited! Iron man 3 takes place in a world after The Avengers movie where Tony Stark is freakin' rich and famous. When he finds his personal life being destroyed by his enemy's doing (and the love of his life Pepper Potts in grave danger), he sets out on a rampage to find the ones responsible.

SO EXCITED!

Watch the video right here:


Monday, 22 October 2012

New Music Video: RZA Ft The Black Keys- The Baddest Man Alive



A little while ago we gave you the low down on the new track from The Black Keys and Wu Tang Clan leader RZA for his new martial arts movie.

Directed by RZA and Quentin Tarantino, The Man With the Iron Fists is RZA's first attempt as a director. Not to mention him and The Black Keys have once again teamed up to create the official song for the movie- The Baddest Man Alive.

Now they have released the music video for the song, and you can watch RZA and The Black Keys kick the shit out of each other over a fortune cookie... and there's even a bit of Lucy Liu in it. 

I highly recommend watching this, it's super funny.

Watch it right here:


Friday, 19 October 2012

The Killers Perform 'All These Things That I've Done' Live On The Colbert Report



Infamous indie rock band The Killers have very recently released their newest studio album 'Battle Born' and you'd think that since they are on their Battle Born US tour that they'd play songs off this album.

But on last night’s episode of The Colbert Report they dug deep down, right into their debut album and performed the track that took them to fame 'All These Things That I've Done'. The whole band- including lead singer Brandon Flowers- beam as they play this golden song.

Those of you who were lucky enough to see them live here in South Africa will know what I'm taking when I say that this song brings back very fond memories.

Watch the video right here

New Music Video: Zebra & Giraffe- My Best

Mike Wright, Greg Carlin, Alan Shenton make up Z&G


SAMA- award winning band Zebra & Giraffe have release their 2nd single off their 3rd studio album 'The Wisest Ones'.

Z&G are one of the very few bands in South Africa who actually make decent music. They have a very unique sound (although this song here is a bit more popish) 'The Wisest Ones' is just a showcase of Z&G taking their sound a step further.

With a guest appearance from Grammy- award winning sound engineer and producer Darryl Torr, the video was shot at RBF Studios in Auckland Park and basically shows the guys performing the song in studio. 

Look out for the awesome Allan Shenton.

Watch it right here

Inge Beckann Co- Starring With Orlando Bloom and Forest Whitaker In French- SA Production


Inge Beckmann, front woman of Lark and BEAST, has been cast along side Orlando Bloom and Forest Whitaker in a new French- SA film called Zulu. 
Acting as Mr Bloom's wife, Ruby, she says Inge is "very nervous about it". 



The movie is based in Cape Town and tells the story of the chief of the Serious and Violent Crimes Unit, played by Forest Whitaker, who is involved in the investigation of the murder of two white women.

Inge Beckmann said she missed the first day of auditions because she was recording with her band. "I had to make that call, I guess." but then got a second opportunity and took it.

 "I found out on my birthday, basically," Beckmann told Rolling Stone. "I'm incredibly excited to be working with actors and crew of this calibre."

I wonder how their South African accents will be...


Thursday, 18 October 2012

Song of the Week

Its been over two weeks since Until The Quiet Comes was released and I want to revisit a song that I've found to be the biggest grower off the album. I didn't give it much attention in the review, but Heave(n) is a wonderful example of how you can keep coming back to Flying Lotus albums and still enjoy something new every time.

Wednesday, 17 October 2012

Lady Gaga Hits Back At Die Antwoord

Lady Gaga hit back at the Die Antwoord on her Twitter account, after they attack her in their new video "Fatty Boom Boom".

These guys have been at it a while, starting with Die Antwoord rejecting Gaga's offer for them to go on tour with her. And now it seems everything is coming out.

The music video makes fun of Gaga (played by a man in a meat dress) coming to South Africa, and eventually, after going through a rough time, getting eaten by a lion.

Gaga hit back with this

("in our private parts.. Haha!")

Yeah, it's just funny...

Tuesday, 16 October 2012

New Music Video: Die Antwoord- Fatty Boom Boom

We all like a bit of Die Antwoord (right?) and we all like a bit of Lady Gaga hate (right?!)

Die Antwoord new musak video!


Friday, 12 October 2012

The Bohemian Is Closing Down?

Dead Alphabet Killing it at The Bo Last Year


The Bo is a music venue filled with rich history, a platform for aspiring musicians to get noticed and play their music. One of the very few left in Johannesburg. However, rumours have surfaced on some social networks that The Bohemian in Melville will be closing down due to the fact that is was apparently sold.

On The Bohemian's Facebook page one member says "It (The Bohemian) was sold. To a Muslim, "I think" they do not tolerate alcohol, there for they are closing it down". 

When asked about it, Mike Meebe- partner and manager of The Bo- said that the rumour could have started when he told his staff that they might not be able to renew the lease. However, they are seeking alternative options.

A march to "save" the Bo will be held on the 10th November, however Mike Meebe has also said "I am not sure marching is going to do anything to change the current status quo" but appreciates the amount of support they are getting and will release an official statement when the future of The Bohemian is clearer.

RZA And Black Keys Team Up For New Track


The Black Keys and the Wu Tang Clan, leader RZA have collaborated yet again for RZA's debut as a film director in "The Man With The Iron Fists". The track is called "The Baddest man Alive" and is another mix of hip hop beats over blues riffs and smooth singing from both Dan Auerbach and RZA. 


Listen to the track here

The Black Keys & RZA – The Baddest Man Alive

Thursday, 11 October 2012

Two Door Cinema Club Release New Single and Video

From their new album, Beacon, comes Two Door Cinema Club's second music video and single called "Sun". Filled with effects that mind f*** you and sexy women dancing, the video is pretty damn cool. If you haven't heard Two Door's new album, be sure to give it at least one listen.

Watch the video right here

Song of the Week

While I recover from the fantastic performance by London-based band Bo Ningen, let me get the hype train rolling by choosing them for song of the week. "Henkan" is the first single from their recently released second album Line the Wall.


Loud and energetic, the reason why I love these guys, "Henkan" showcases this group's noisy sound. It's kept me entertained while waiting to get a hold of the new album, so I hope you guys all enjoy as much as I have.

Chillz


Death Cab For Cutie Frontman Benjamin Gibbard Releases Solo Album


Death Cab For Cutie's Ben Gibbard is streaming his very first solo album, "Former Lives", before its release on 12 November.


As Gibbard explains, these songs were made across an 8 year period, "Three relationships (including Zooey Deschanel), living in two different places, drinking then not drinking". He also adds "They're a side story, not a new chapter."

He reassures fans that he will not quit his work with Death Cab For Cutie for a solo career, saying "I'm doubtful I'll have another solo album for another 10 years because the health of Death Cab for Cutie has never been better.”

He has also expressed his enthusiasm to work solo saying, “It's exciting because for the first time in a long while, I'm starting from scratch as a songwriter… It's freeing and terrifying. But mostly freeing!"

You can listen to his album right here

Wednesday, 10 October 2012

Review: General Fiasco - Unfaithfully Yours


Northern Irish indie rock band General Fiasco have certainly taken their time releasing this record. These guys are young, and have tons of potential, heard in their last album “Buildings”. Released in 2010 it had a good few hits on it, such as “Ever So Shy”, “We Are The Foolish” and “Sinking Ships”. In “Unfaithfully Yours” General Fiasco prove to us that they’re not just a bunch of kids any more  and were determined not to repeat themselves again sound wise- emphasising a change in their approach to the whole musical process.

Since the influences and styles of the guys in General Fiasco have also changed- along with age- the album sounds more solid, punkier and altogether more mature. Songs like ‘Closer’, ‘Brother Is’, ‘Temper Temper’ and ‘Sleep’- with its quirky and upbeat guitar riffs- are classic party anthems, bound to get you on your feet with catchy melodies and strong hooks. These songs are where the main interest lies, because this is where we really hear the maturity of General Fiasco. Most songs are fast paced, with Enda Strathern’s impressive guitar and soloing skills leading most tracks and a strong foundation of great drumming from Stephan Leacock. This was also made easier with their new addition to the band- guitarist Stuart Bell- and he has certainly brought a needed freshness.

The album opens with a loud burst of heavy drumming, in "Gold Chains", probably there to get the listeners attention, and then dims down to a brisk guitar melody, a bobbing bass and rolling drums. Owen Strathern’s voice rings in with his suave Irish accent, aptly tuned for the surrounding instruments, and an almost metal sounding guitar solos the way through. This is a really good start to the album, but it’s not a true representation of the feel the rest of the songs hold. Closer’ is the real starting point to all of this, starting with a catchy drum beat, while a subtle and swift guitar starts playing. Owen’s voice graces us once again and another slow and smooth guitar chimes in. The chorus is an upbeat wave of music, bringing colour to the whole song, with lines like “I wanna be closer. I wanna be eagle- eyed, we should be out tonight. You should be here”.

Most of these songs are indie- pop to the core and advance with the same up- tempo intensity. However, the album does have its fair share of slow to mid- tempo songs, such as ‘Hollows’, ‘This Is Living’- a slow and heartfelt track with just vocals and piano, and fan favourite ‘The Bottom’- building up to echoing loud guitars, heavy drums with bullet like snares and almost screaming  vocals, from quiet clicking drums and faint guitar. These songs add a nice break to the fast pace of the majority of the album, and it creates a well-rounded record. It’s very clear how much these guys have improved instrumentally and technically.  These songs have big sounds, with well thought out progressions and General Fiasco have given a more serious look at what they are singing about.

It might seem as though, on the surface, most songs are just fast- paced tracks carried by ripping guitars. However, there is an obvious deeper meaning to it all. The album is a far more personal account of everyday life, growing up and the emotions that go with this. Songs like ‘Brother Is’ and ‘The Age That You Start Losing Friends’ are about the uncanny advice one gets from people and the responsibly of getting older, with lines like “You should be more like your brother is. You should stay young the best you can... But you’re a delicate boy, not a delicate man”. ‘Temper Temper’ is a song about anger, how people often can’t or won’t deal with it until it all adds up to something much bigger than the petty problems that trigger it. There has been progress in the song writing, and you feel Owen Strathern means every single word he writes, and this makes it that much easier for listeners to love.

An unfortunate downside to this album is that since they got their new addition to the band in Stuart Bell, it seems as if they feel the need to give a face- melting solo in every song. I personally find this really great as it adds a more rock ‘n roll atmosphere to the album and Enda Strathern and Stuart Bell are exquisite to listen to, but some may get fed up with it. There is also only so much originality to ‘Unfaithfully Yours”. These guys are making indie pop- rock, and that’s what most bands are doing these days. Although they make this music very well, they will have to work extra hard to make it something unique, although I'm sure they realise this. There also needs to be more improvements only experience and practice could make. They need to do something that can make them stand out more and not only limit their success to the UK. And I have every bit of belief that they will do exactly this in their next album.

All in all, “Unfaithfully Yours” is amazing for people who like this type of genre. Its well- rounded and has the right balance of charming and rugged. It has a different feel to it than most indie bands- probably because so many people can relate to the topics and sound of the album. And you can also listen to it over and over again without it getting tedious or old. These guys seem to have given it their all, and that shows in the songs. I'm excited to see them grow some more and see what they come out with next.



Tuesday, 9 October 2012

Jon Savage Interviews The Drums

As you all know, the amazing and weird The Drums are coming to South Africa. YEAH!


5FM DJ and Kite Rider front man Jon Savage recently interviewed Jonathan Pearce, lead singer of The Drums, on his DJ show on 5FM. He sounds like a really cool guy. Can't wait to see The Drums live!


Listen to the interview right here
The Drums 5FM interview

New Music Video: Coldplay- Hurts Like Heaven

Coldplay release their newest music video from their new album Mylo Xyloto.

Coldplay are getting pretty good at making creative videos for their songs. From their Strawberry Swing video- to their Paradise video - shot right here in South Africa- to this one, an anime comic book brought to life in almost 3D.

Check it out here

Monday, 8 October 2012

Review: Death Grips - NO LOVE DEEP WEB


Following an elaborate Alternate Reality Game (ARG) that saw the denizens of 4chan’s /mu/ board ultimately trolled by the band (>tfw no gf), Death Grips suddenly dropped their second album NO LOVE DEEP WEB (NLDW) last Monday. The album, which is free to download, came as a surprise to anyone who had been following band, including their label, Epic. The band’s website was briefly shut down sortly afterwards, supposedly by Epic – something the label itself denies. Is it a grand marketing strategy, or a case of the band sticking it to The Man? Either way, we’ve got the album for free, and it may well be the group’s best work yet.
Much like how The Money Store differs from the band’s 2011 mix tape Exmilitary, NO LOVE DEEP WEB brings something new to the sound of Death Grips while still keeping true the angry-hobo-rapping style that has come to define them. The sample heavy Exmilitary was very raw and fuzzy, while The Money Store came off as something more polished and cleaner, featuring more layered synths and catchy beats. NLDW sticks to that electronic sound, but it lacks the sort of catchiness (for the most part) the made The Money Store so energetic. Instead, Andy “Flatlander” Morin and drummer Zach Hill have opted for something that is a bit heavier, a bit sparser sonically. While you could always describe Death Grips as being a bit dark in their tone, NLDW really stands out. there a stronger focus on synths, resulting in something that sounds a bit more artifical From the heavy beats Come up and get me to the slower, more echoey synths of Artificial Death in The West, there is this lonely, almost cyber-punkish image evoked. It is a cold near-future, full of dangerous characters
The lyrics themselves reflect this dark tone as well. MC Ride has always assumed this persona of a character full of anger and self-loathing, disaffected with the world around him that he tries to fight. Now, that person is reaching the end of their tether. Thoughts of suicide and paranoia seem to occupy his mind, such as in the excellent World of Dogs. There’s even the moment in the opening track Come up and get me where Ride just breaks down, screaming “and suicide ain’t my stallion/so I'm surrounded”. The world is out to get him, and he’s got no escape. There’s still that fantastic energy that been heard in previous Death Grips releases, but there’s a certain tiredness to it now – Ride’s flow is a bit slower and at time feels a bit out of sync, which might be a bit off putting for some after The Money Store.
After releasing as solid of an album as The Money Store, it was always going to make a follow up, especially in the same year. For some, NO LOVE DEEP WEB may be the groups inferior 2012 release - those seductive hooks from tracks like The Fever (Aye Aye) are not there, and overall the album is not as catchy with less tracks having an obvious stand out quality. Yet there is something about it that makes the album feel so much more complete as a whole, which makes it stand strong on its own. Overall, it is aggressive and intense, as you would expect from these guys, but it exudes this cold, dark tone that brilliantly captures this image of a decaying modern world the “mascara smeared end of an era”. It might not be for everyone, but NO LOVE DEEP WEB shows that Death Grips are willing to push themselves with each release. If you are willing to give it a chance you may it find to be one of the most exciting releases of 2012.
Review by Chillz




Rolling Stones to Release New Documentary Film


To celebrate their 50th anniversary, The Rolling Stones are set to release a film entitled Crossfire Hurricane.  Taken from their song ‘Jumping Jack Flash’, the film will document the rise of The Rolling Stones from their early teen years to date and their adventures as legendary rock stars.

With unseen footage and interviews, including commentary from the legends themselves- Keith Richards, Charlie Watts, Ronnie Wood, Mick Jagger and former Stones Bill Wyman and Mick Taylor- the epic film will showcase rare and historical footage from live shows, tours, TV clips and not to mention the band at their most private moments. This should make for an interesting and amazing film.

You can watch the trailer here.



Saturday, 6 October 2012

Review: Ultraísta - Ultraísta


Ultraísta is the not-quite super group made up of producer Nigel Godrich, multi-instrumentalist Joey Waronker and vocalist Laura Bettinson. The self-proclaimed electro kraut-pop group have dropped their debut album to a fair bit of interest, mostly due to Godrich’s fame as the producer of artists like Radiohead and Paul McCartney. Bettinson and Waronker demonstrate that they are also more capable of filling those shoes, however, as the whole band shines with this release.

The record sets its tone right from the off, starting with the tracks Bad Insect and Gold Dayzz. Waronker’s bouncing drums kick things off in Bad Insect before a sea of buzzing synths rises around your ears and Bettinson’s wonderful voice leads you the rest of the way. Gold Dayzz follows in similar fashion, Bettinson cooing ‘gold days’ over a simple bass and drum melody as the buzzing synths move in and out of the music. Strange Formula reminds us of Godrich’s work with Radiohead before we reach one the record’s standout tracks, Our Song. A dissonant pattern of notes and beats pulls together around Bettinson’s layered vocals and yet another beautiful melody of buzzing synths. The album continues similarly over the very good Easier and the record’s first single, Smalltalk, before we reach another outstanding tune, Party Line. Lead by lumbering piano chords and Waronker’s drums, Party Line is probably the best showcase of the capabilities of Bettinson’s excellent vocals on the album. We return to the waves of warm synths as the album closes with the enjoyable Wash Over and the somewhat weaker You’re Out.

The record’s main weaknesses lie in the repeated use of the same instrumentation on almost every track. With the exception of Party Line, the songs start to feel samey after a few tracks with the exact same synth running things. Some may also be put off by the intangibility of the leading melodies in many of the songs, often hidden amongst a wall of buzzing tunes.

Ultraísta’s self-titled debut is a very good album, all in all. It’s not for everyone, especially those who are not fond of Gordrich’s previous projects, but if you have the interest and patience to get past the record’s issues, you’ll find one of the most interesting albums to have been released this year




Friday, 5 October 2012

Live Stream Rocking The Daisies

Are you the unfortunate souls like us who are not at Rocking The Daisies? That's okay! You can stream it live on your PC thanks to the awesome folks at MK. Just go here http://www.livestream.com/mkwebtvsa or here mkstream.com. They will give you updates on which bands are performing and when.

It's about time we had something like this in South Africa!


Adele Releases New James Bond Theme Song

After a big fiasco about this song being leaked by a French radio station a few hours before it was meant to debut, Adele has officially released her new track 'Skyfall' for the new James Bond movie. It's smooth and it sounds amazing.


Facebook Celebrate Their One BILLIONTH User


Facebook have made a really spectacular advert to celebrate their one BILLIONTH user. If that alone doesn't make you go “whoa!” I don’t know what will. Take a look at it, it will give you Goosebumps.

“Chairs are like Facebook”.

6

Thursday, 4 October 2012

Song of the Week


So this is the part in the blog were we each take turns to choose a song every week. We figured since we all like really different music, there is bound to be something you will also like.


This week I chose This Killers new single 'Runaways' from their new album 'Battleborn'. This song is pretty cool, its got a sort of Bruce Springsteen, old school rock feel to it. Take a listen, tell us what you think.

The General Merchants 


South African adidas Skateboard Team Explore New Recruit's Home Town in Durban... And Make a Cool Video


The South African adidas Skateboard team recently went on a bit of an explore in Yann Horowitz’s hometown in Durban. He’s the new addition to the team and the star of this really neat video filmed by Adriaan Louw & Leon Bester. Yann won the 2009 Quiksilver Bowlriders (and with it R10 000- jeez- and the feeling of being a boss). He models for Familia Skateboards and Hell because he is also pretty damn sexy- not that he cares about that. He has also skated around Europe for two years. You can watch his videos on Youtube.

Alongside him are Khulu Dlamini- they say he’s big on the party scene in Cape Town and looks like Nelson Mandela. And also Jansen van Staden, from Pretoria.

If you have some time, check out the video.

It’s quite inspirational.

Makes me want to skate.


Review: Mumford and Sons - Babel


Babel is the second album by Mumford and Sons. The album has had a fantastical rise to platinum, selling 600 000 copies in the first week of release. They have joined the likes of Adele and Taylor Swift and have outsold Justin Bieber, Green Day and No Doubt. Not to mention the album has streamed more than 8 million times on Spotify.

Mumford and Sons have done really well for themselves. However, many of these songs actually date back to Sigh No More (Mumford and Son’s debut album released in 2009) and have been road tested on their continuous tour for the past 18 months. Which is probably why many have said the album is essentially Sigh No More 2.0 - a more polished and refined version. Thanks to this though, Babel is an album packed with songs written for huge arenas and mass audience sing-a-longs. Mumford and Sons manage to make huge rock sounds by modest means, and this is what captures audiences. But not just that, they have a completely unique sound, and Babel emphasises this, taking it to mountainous heights.

If you are an old fan of Mumford, you will not be disappointed. Outbursts of prominent, stomping beats from quiet and delicate moments like a sudden burst of colour, are not a lack in the album, as can be heard in songs like ‘I Will Wait’, ‘Lover of the Light’ and ‘Hopeless Wonderer’. The feel and emotion of songs change in an instant, taking listeners with them, with each and every instrument and voice playing a vital part. There is still electricity in the driving drums, power in frontman Marcus Mumford’s voice, the fullness of the double bass and the banjo which actuates the progression of the songs. You find yourself waiting in the songs for this crescendo in the music which generally follow the quieter sections, almost as if they are playing with you. However this time when Mumford and Sons go big, they explode, letting everything out, adding in blaring horns, melodic strings, electric guitars, banging piano and echoing voices.

This being said however, the delicate and mellow tracks are here with ‘Ghosts That We Knew’, ‘Reminder’, ‘Where Are You Now’ and last but not least their amazing rendition of Simon and Garfunkel’s ‘The Boxer’- a profound and sincere cover of the song, which Mumford and Sons reformed into their own genuine feel with the help from Paul Simon and Jerry Douglas. This is really Mumford and Sons at their most fragile and the emotions in the songs are still striking. Each instrument in these songs is emphasised against the silence. County Winston’s banjo plucks softly in the background while an almost melancholic drum pounds and Ben Lovett’s underrated piano chimes. A soft guitar strums; an accordion breathes quiet notes and suddenly voices build- warm yet singing harsh words. It’s quite amazing how Mumford and Sons can be loud and firm at times, and then soft and subtle at others.

The album as a whole is more mature and intense- sound and lyrics wise- as it explores many topics ranging from love and betrayal to God and the ignorance of man. Mumford and Sons explore the role religion and love play in an everyman’s life as there are many biblical references throughout the album. Maybe a comment on how religion can complicate things and how many people blindly follow God, with lines like “And I was still but I was under your spell. I was told by Jesus all was well. So all must be well” They also speak about life and death and how delicate the line between the two are, in ‘Lover’s Eyes’ he says “Tame the ghosts in my head/ That run wild and wish me dead/ Should you shake my ash to the wind/ Lord forget all of my sins/ Or let my die where I lie”.

On more than one occasion, Marcus Mumford took the breath out of me, finding new ways to reinvent the word “fuck”. His voice, and the voices of Mumford and Sons as a whole know what they are singing about, and so they know how to portray the raw and real emotion that lie in the lyrics. When Marcus Mumford screams in frustration you can feel it in your throat and when he sings softly you can feel the delicacy and heartache. His voice is commanding and authentic. It can be heard over any instrument, portraying exactly what is felt with meaning and intent. Every word seems intimate and flows out the speakers so clearly throughout the album. You can feel every single emotion Mumford and Sons want you to.

Markus Dravs, producer of the album (and of Coldplay and Arcade Fire) definitely had his say in the album, with tracks like Hopeless Wonderer giving off a Coldplay vibe and ‘Lover of the Light’ bordering on a Dave Matthews feel. In ‘Below My Feet’ a dubstep- folk beat starts going, like nothing we've heard from Mumford and Sons, or ever, and this is just an example of what is new in Babel.

Mumford and Sons have created a genre of their own, and they have found a formula that really works and have stuck to it. They have grown, as long years of being in the music business and also years of personal experiences will do to you. And inevitably this affects their music, with amazing results.




A Word on Piracy


As the astute among you have surely noticed, piracy is one of the biggest issues surrounding the modern music industry. Debates rage over the unethical nature of the piracy or the wrongs of the major labels and I genuinely believe both sides have valid points, but I want to specifically talk about one of the problems I have with current piracy. Note also that while I’ll be talking specifically about piracy in the music industry, most of my points, as far I can tell, should apply to all mediums in which piracy takes place.

To begin with, let’s look at the justifications that are often provided by those who pirate. ‘Music is too expensive/too hard to get a hold of’ is the closest one I've heard to being a valid argument and I do, to an extent, agree, at least in that I believe cheap music should be easier to get a hold of. Though the music industry is now finally getting to grips with things like internet streaming and the value of online sales, it’s still far too often the case that your only options to buy an album are to either go out and get the physical copy or have it imported. There are some artists whose music I do enjoy, but not enough to spend R150 for a 10-12 song album. In these situations I would happily turn to sites like Bleep or Boomkat to get these albums in mp3s for a fraction of the physical copy’s price, but unfortunately that is not always an option. Clichéd as it may be, it does tend to be the major labels like EMI and Universal that still doggedly demand that you go down to a record store and buy the full, physical copy any time anything you are even vaguely interested in gets released.

The problem is, this line of reasoning comes apart a bit when you take into account the levels of piracy for releases that do give you convenient and cheap alternatives. Radiohead’s release of In Rainbows is a prime example of this. Even though the album was initially released online and could be legally downloaded for free, there were still more copies of the album that were pirated than were downloaded or bought legally. People, it seems, are turning to piracy out of habit more than anything these days and that is a major problem. There are few bands that are as ideally placed to survive in the music industry as Radiohead are and so, while they still made a big profit off In Rainbows’ sales, many smaller bands will not be able to survive being faced with similar piracy figures.

Unfortunately, I'm not sure what can be done about this. What would be ideal is that people are sensible enough to start going back to paying for their music as it becomes increasingly cheap and easier to just buy it online. That, unfortunately doesn't look like it’s going to happen. It’s evidently hard to compete with habit and free music. Streaming may be the answer, but we’re still a long way from that being one of the primary methods of long term music distribution. It would be very sad if genuinely good artists and labels go down due simply to people’s laziness regarding their habits, but at the moment it seems piracy is here to stay, regardless of the alternatives.